#Wetransfer reviews tv

With portals and reviews, we’re eliminating the time-draining back and forth between creatives and clients during creative reviews. So simple compared to other platforms, which take many more steps, like making you log in.' “When we send files, you know whoever receives it can actually open it.

“We send everything from rough cuts to final files with WeTransfer,” Taylor tells us. So whether you’re responding to a reaction (“The footage is amazing!”) or a direct request (“Let’s lock in a great end card treatment”), feedback is always delivered in context so nothing is lost in translation. No more switching between email, messaging apps, and downloads to match feedback with the right asset.

Plus, the ability to comment means reviewers can leave notes right on the file.

#Wetransfer reviews tv

The result? A 30-minute infomercial that aired on TV for the ‘No Brainer’-a headband that holds ice cold cans of Liquid Death to prevent brain-heat detection by the undead.įor teams like Party Land that work with a ton of video and motion assets, video previews remove the need to download huge files just to view them. For Liquid Death, Party Land created a campaign with Netflix to promote the zombie film, Army of the Dead, which focused on creating buzz for both brands “without spending a ton,” explained Taylor Toomey, Party Land’s account supervisor and an industry vet. In a marketing landscape plagued by attention fatigue, Party Land is managing to make people watch the whole thing. Named Ad Age’s 2021 Small Agency of the Year, it’s hard not to love Party Land––a tight-knit crew whose irreverent approach to advertising keeps clients Liquid Death water, Pabst Blue Ribbon, Netflix and others top of mind with viral campaigns. We took one look at their zombie-filled latest campaign, and knew the feeling was mutual. (More on this in a bit.) “We’re big fans of WeTransfer,” they said, boosting our ego and melting our defenses. We met Party Land the same way anyone meets anyone these days.